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Duration : 0:1:32
A short instruction video on using the Digital Grey Kard white balance / gray card during an on-location shoot. Our lucky photographer and a beautiful blonde model girl show us how.
Duration : 0:1:38
monsieurserrurehttp://gdata.youtube.com/feeds/api/users/monsieurserrureComedyNikon, D3, food, test, water, resistance, canon, 1ds, d700, d90, d80, d300s, d3x, d3sNikon D3 Violent Food TEST
Duration : 0:3:28
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I’m John Harrington and we’re going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on assignment. Each kit is different and has a very specific purpose. So lets take a look.
Our next case is one of the 3 Hensel Porty Kits we use. We keep them each in a Versa Flex case, which holds them and their accessories quite nicely.
We like the Porty’s because they are 1200 Ws of power, adjustable in tenth of a stop increment digitally here on the pack. As you can see here it’s all digitally controlled, really like that capability.
We can hardwire into the Porty at this connection point if we need to, but as you can see I think its still the factory rubber band around this particular connector. Instead what we prefer to use is going direct into the back of the Porty head using a pocket wizard and a standard 1/4-inch headphone kit.
Its really nice to be able to use the pocket wizards with these kits, it makes all the difference in the world to be able to move freely and be able to go where you want to go and not be hardwired and connected.
Using a pocket wizard is just that much better then hardwire because I’m not risking pulling a head over when I’ve got the hardwire connection into the head or into the pack. So that’s the Porty.
Duration : 0:1:55
These to top of the line cameras go head to head but also check out my video D3x vs MarkIII 1Ds!!
Duration : 0:1:21
Nikon D3 # First ever Nikon DSLR with a Full-Frame (36 x 24 mm) sensor (coined FX format)
# 12.1 megapixel full-frame sensor (8.45µm pixel pitch)
# ISO 200 – 6400 (with boost up to ISO 25,600)
# Also supports DX lenses, viewfinder automatically masks (5.1 megapixels with DX lens)
# 5:4 ratio crop mode (10 megapixels, up to 9 fps, viewfinder masked)
# 14-bit A/D conversion, 12 channel readout
# Nikon EXPEED image processor (Capture NX processing and NR algorithms, lower power)
# Super fast operation (power-up 12 ms, shutter lag 41 ms, black-out 74 ms)
# New Kevlar / carbon fibre composite shutter with 300,000 exposure durability
# New Multi-CAM3500FX Auto Focus sensor (51-point, 15 cross-type, more vertical coverage)
# Auto-focus tracking by color (using information from 1005-pixel AE sensor)
# Auto-focus calibration (fine-tuning) now available (fixed body or up to 20 separate lens settings)
# Scene Recognition System (uses AE sensor, AF sensor)
# Picture Control image parameter presets (replace Color Modes I, II and III)
# Custom image parameters now support brightness as well as contrast
# Nine frames per second continuous with auto-focus tracking
# Eleven frames per second continuous without auto-focus tracking
# Ten / eleven frames per second continuous in DX-crop mode (AF / no-AF)
# Dual Compact Flash card slots (overflow, back-up, RAW on 1 / JPEG on 2, copy)
# Compact Flash UDMA support
# 3.0″ 922,000 pixel LCD monitor
# Live View with either phase detect (mirror up/down) or contrast detect Auto Focus
# Virtual horizon indicates if camera is level (like an aircraft pit display)
# HDMI HD video output
# ‘Active D-Lighting’ (adjusts metering as well as applying D-Lighting curve)
# Detailed ‘Control Panel’ type display on LCD monitor, changes color in darkness
# New MB-D10 vertical grip fully integrates into body, multi battery type compatible
# Buttons sealed against moisture
# Dual battery charger as standard
And the list gos on…
Duration : 0:4:9
Find 32 more videos at http://www.AssignmentConstruct.com .
Transcript of this video:
Hi, I’m John Harrington and we’re going to break out and break down the wide variety of equipment we use to deliver images to our clients. Next we are going to show you one of the equipment kits we use when we are traveling on ignment. Each kit is different and has a very specific purpose. So lets take a look.
On shoots where we’re not steady, whether it’s an unstable platform or its long lenses and slow shutter speeds, we rely on our Kenyon Gyro to steady the shot.
We pack it in a Pelican 1450 Case and it either attaches to the bottom of the camera or the bottom of the lens depending on which system we’re using. The kit is relatively small. The Gyro itself also is relatively small. There are multiple sizes of gyros.
The key with the gyro is to make sure when its powering up or powering down you don’t have it on a surface because it will chatter around as its trying to steady itself on a flat surface and it could cause damage to the gimble inside.
A well thought out helicopter will actually have a power connection for you to connect the Gyro directly into the helicopters power. If you don’t have that though what you can do is connect into a belt pack battery pack that you where on your belt or if you don’t have a helicopter to plug into out and about.
So this is our Kenyon Gyro.
Duration : 0:1:33
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